In this tutorial, I’ll show you how to recreate the look and feel of a watercolor painting on the computer. Some topics include:
- How to create a textured “paper”
- Which textures work best
- What settings to use for your brushes
- Specific brushes to use
Every tool I use is included within Photoshop CS itself. With these few simple tips, you can start creating your own natural looking watercolor paintings with all the advantages that the digital world has to offer.
Create Your Paper
Choosing the right paper is one of your most important decisions when creating a traditional watercolor painting because the medium takes on the characteristics of its paper probably more than any other. To begin my experiment in Photoshop, I first created my own textured base to work on.
- Create a new document, then double-click on the Background to make it “Layer 0″. Now, apply a bevel-emboss effect to it by clicking the layer effects button on the bottom of the Layers palette.
- With the bevel-emboss dialogue window open, change the direction to “down” and move the depth, size, and soften sliders all the way down. Change the shading settings to your liking (I usually change the angle and the highlight/shadow colors).
- Click on the word “Texture” on the left of the window. You should notice a new set of settings appear in the window. Choose a texture in the pattern drop-down menu. There are several good textures that are provided with Photoshop itself. I especially like experimenting with the patterns contained in the “Artist Surfaces” pattern library. You can also create your own texture from your favorite watercolor paper. Once you choose a texture, you may also have to change the scale and depth settings to get it just the way you like. For this tutorial, I used “Wax Crayon on Sketch Pad” with the scale set to 200% and the depth at 50%.
- Click Okay to apply your settings. You now have a textured surface on which to begin your painting.
Create a Watercolor Brush
When creating a watercolor effect in Photoshop, I always change these settings for every brush I use:
- Lower the opacity – This helps recreate the transparent look of the watercolor medium.
- Set your brush to “Multiply” – This makes it so that when you paint, it will “glaze” the color over your painting, rather than paint the solid color. You can change this setting at the top of the screen when the brush tool is selected. You’ll notice that there are several options, including the “Mode”. Change this from Normal to Multiply.
- Apply a texture – You can find this option in the Brush Palette, then click the word Texture. Use the same pattern that you used to create your “paper” and be sure to match the scale also. You will also want to change the “Mode” depending on how you want the texture to affect your brush. For this experiment, my favorite is “Overlay”.
- Wet Edges – Check this option in the brush palette to turn it on. This makes the edges of your brush strokes slightly darker.
Choosing the Right Brush
In general, I like to use soft edged brushes. I also like to steer away from the standard round brushes. In your Brush palette, open up the Natural Brushes and Natural Brushes 2 libraries to find some more suitable brushes. You’ll notice that there are several labeled “Watercolor” that I found to work well. When you select one of these brushes, you will have to reset all of the settings I mentioned before. Here are a few other optional settings to note:
- Spacing – Some of these brushes have their spacing set too high for my liking. You can change this setting my clicking on “Brush Tip Shape” in the Brush palette, then dragging the slider at the bottom of the window.
- Other Dynamics – Click on this option in the Brush palette, then set the Opacity control to “Pen Pressure” to make better use of your pen tablet.
It can be a hassle to change these settings every time your click a new brush. Once you get a brush just the way you like it, go to your tool presets in the upper left corner of the screen. Select “Save Tool Preset” to save your watercolor brush.
Other Tips
- Create a Wash – To create a wash-like effect, use a very soft brush at a very low opacity (20% or lower). I especially liked the “Spray” brushes in the Natural Brushes library. Set all of the settings as previously mentioned for a watercolor brush and make the brush size very large.
- Use Line – Scan in a pen and ink drawing to create a traditional ink and watercolor illustration effect.
- Frisket – Many watercolorists like to mask out part of their painting with frisket before they start painting. Here’s a quick way to reproduce this technique in Photoshop using the Quick Mask tool:
- Click the “Edit in Quick Mask Mode” button on the bottom of your tools palette.
- Use your brush to paint on the areas that you want masked. I like to use one of my watercolor brushes for a more natural effect, with the opacity set to 100%. Notice that the masked areas are shown by a transparent red color.
- Click the “Edit in Standard Mode” button. A new selection is automatically made from your quick mask.
- Continue to paint, and notice that your masked areas are not affected.
- If you would like to save this mask for later, with your area still selected go to Select–>Save Selection.
- Click the “Edit in Quick Mask Mode” button on the bottom of your tools palette.
- Erase your mistakes – The beauty of working in Photoshop is being able to edit your painting more easily. Take advantage of your software and paint back some of your white highlights.
The Result
Here’s an example of a “watercolor” painting I did in Photoshop:
I hope this tutorial helps you put a more natural feel to your Photoshop paintings. If you have any other tips or tricks about watercolor, be sure to leave a comment.
Here are some of my favorite watercolor illustrators to help inspire you:
No related posts.
Hi, l really love your work and the fact you share your processes. I found the tutorial on brushes in illustrator, the Bake Sale piece invaluable.
I have a huge problem and can’t seem to find an easy way to contact Adobe. I am illustrating a book, creating the pages in Illustrator, tracing over my scanned sketch, then filling in with Live Paint on another layer. I have done 16 pages of my book and when I open up my documents the next day, I get an error message
“Can’t open illustration”
ID=-50
Have you ever encountered this. I thought I solved it by changing my printer to Adobe pdf in the print box before working……then the next day I get those messages again.
I am really getting sick over this and would appreciate any help or advice. Thanks
Hmmm… I found some theories on a thread at the Adobe forums at http://www.adobeforums.com/cgi-bin/webx/.3bc225f3, but I can’t tell you any concrete solutions. I’m kinda limited in my knowledge of Illustrator (I’m primarily a Photoshop person), and I only have version CS, so I can’t try to duplicate your problem. If you can get your files to open at all, I would try saving them in a different format, such as eps, as a kind of workaround. You could also open your files in Photoshop, but note that it would rasterize and flatten the image (but at least you’d still have a copy of your artwork).
Hi Dani,
I like to pain in MS Paint tool.I want to learn to paint in photoshop as well, but I have no knowledge about photoshop.I want to learn the basics.But I like in Hong Kong they really dont have any institutes which offer Photoshop courses in English.
Can you please suggest me an online tutorial to start with, till the time I dont find a local institute.
Many Thanks
Ritu
Ritu – Painting in Photoshop is a BIG topic that would be nearly impossible for me to answer here. The best advice I can give you is to simply open Ps up and start painting and get used to the interface.
There are tons and tons of tutorials on the internet. There are a few on this blog too. I could not possibly point you to one specific one as there are so many, and It depends on what part of Ps you want to learn. I suggest start by learning all about the brush tool and how to customize it, and learn about layers. That’s almost all you need to know to make art in Photoshop.
Absolutely fascinating. You are a very talented person! And generous as well. Thanks for sharing…
This is one kick azz guide, it helped so much, thank you so very much! Really like how the watercolor layer’s effect turned out, ^^
Thanks for the insight, this will be a very helpful technique. I have been using Photoshop for some time now and there are very few tutorials for creating this type of realistic watercolor look. Thanks again, keep up the good work!
Pingback: Dr. Ten Tenshi » Blog Archive » “EMBRACE” An experiment in Watercolor with Shinohara
Nice tutorial for a great technique. Thank you for sharing.
amazing… awesome…
it creates a superb effect… i simply love it… thanks a ton for ur inputs…
Pingback: BlogsWeLuv - Blog Reviews » Blog Archive » DaniDraws.com - A blog we luv
Thanks very much for sharing this watercolor rendering technique !!!
Ok….dumb question. When I edit in quickmask mode then go back to stadard mode. The area that was masked keeps allowing color to go through but at a lower opacity. Any reason why? I followed the steps, painted in the quick masked the scanned drawing, then with purple to create my wash, the purple shone through the mask!? but at a lower opacity of purple. Please help.
Jeremy,
When in Quick Mask mode, you have to be sure you are painting with black if you don’t want anything to show through. It has to be absolute black – any tint of gray will allow color to show through. You may have been painting with a very dark shade of gray instead of black. Press “D” to switch your foreground/background swatches to black and white. Also make sure you don’t have your brush opacity controlled by pen pressure. Otherwise, you would have to push down on your pen really hard in order to get a pure black. And if you have a texture applied to your brush, that can affect its opacity also.
this is great!!! thank you for sharing!
That Santa is excellent. Was that created in Photo shop or done traditionally on paper with whatever?
Love it!
This is really amazing! Thnx for sharing and spending so much time to include all steps required! Lovely work!
Another great tutorial! Thank you so much for taking the time and being so clear in your step by step instructions.
Great tutorial, it’s better than download thousands of watercolor brushes. Thank you!
Thank you so much. I learned more from this tutorial than I have learned from any other.
I’ve given it a try, it’s in my blog. I’d appreciate it if you gave me some advice on what I did well and what I could improve. Again, wonderful post! You’re such a great artist.
Thank you very much for such a great tutorial . I have learn alot from this tut..
Thanks !!!
Thanks so much for this tutorial on watercolor brushes and paper. It helped me out a lot for a digital coloring job that required a painterly look. Thank you!!
Great tutorial, thank you. Is there any way to simulate brush stroke pressure, anotherwards you can vary the thickness of the stroke as you paint, as in the real world. Thanks.
Brian – Yes, just go the Brush palette and change the various settings there. I suggest taking a look at this other tutorial: http://danidraws.com/2007/04/20/not-your-typical-round-brush/. You will need a graphics tablet (e.g. Wacom) to get the best results.
Hallo Dani,
this is exactly what I needed! I only started doing illustration again after 4 years of looking after kids and house and doing teaching.
Thank you so much! I have looked at the great examples of watercolour artwork that you talk about in your tutorial (Holly Hobie, Gris Grimley and Jon J. Muth) – do these people actually do ALL of the illustration digitally? What do you think? Having a big monitor or not does not seem to make such a difference to me – I still always seem to need some initial linework (as a basis for a watercolour painting) on paper – that I then scan and carry on with digitally. And then, depending on what that linework is – this is not always the most suitable basis for a (digital) watercolour painting. Has someone got experience with how to go about this?
Sabine – No, I’m pretty sure that the artists I mentioned all work traditionally. I only included the links for inspiration to look at while doing the digital experiments.
Thanks a lot for your reply. I will have a look at your other tutorials.
Seriously, you saved my life with this tutorial. I am working on a project now and it looks horrible.
I knew the effect I wanted, but just couldn’t grab it in Photoshop. Brilliant! I bookmarked this page.
Wow, great tips, very useful info on paper texture and customising brushes. Thanks!
Is it alright to indulge in a bit of blatant self publicity? if so then please check out how I used these tips for a picture I drew at:
http://mr-alexander.deviantart.com/art/Superman-113430434
Thanks again!
Pingback: Northorn.net » Archive » Story #10
Pingback: Jason Pym Illustration :: Sketchbook » Blog Archive » Useful sites for illustrators
wow, this is awesome. THANKS!!!!!!
Another amazing tip, thanks for sharing.
Wonderful tips, i wonder why the spray brush shape at 2500px size slows photoshop down – any idea?
tommi – 2500 px is a pretty big brush size. It is not unusual for that to slow Ps down a bit.
Amazing tutorial. Very usefull – thank you!
I can’t thank you enough for posting this! I now have a digital watercolor work flow thanks to you!
Wow, I can’t thank you enough for this wonderful tutorial! I’ve always wanted to know how to make a watercolor painting on Photoshop!
Great tutorial! Easy to follow and it answers the exact questions I had.
Great tutorial – and nice details on getting the right brushes – thanks.
This looks great. A bit complicated, though. You may enjoy experimenting with Corel Painter. The watercolor is so much more straightforward, simple and natural than this workflow. Painter also gives you an option of applying a ‘fringe’ to the watercolor (areas found in real watercolor where pigment dries darker).
Keep up the good work.
Thank you so much for this tutorial. I’ve been looking for something like this for ages. Especially the wash you did; finally something that looks like the real thing:) Thank you very much for sharing!
i just want to thank you for sharing your process without really creating a tutorial. this way, i can experiment and learn on my own what works best for me and still have some idea of what i’m doing. its hard to create something that is truly my own when following a tutorial. thanks for the process :)
Thank you so much for sharing your wonderful art and taking the time to succinctly lay out steps for others to follow. I’m an old (literally and figuratively) book designer and very much appreciate talented artists with the patience and ability to teach others. I’m designing a children’s book and want a watercolor wash background look for various pages. Found lots of tutorials that danced around the edges of what I was looking for, but just didn’t feel they were quite right. I landed on your website and there it was — I recognized that this was exactly what I was searching for. Thank you kindly!
Hi there really like the water colour effect, have got use to it now. I was just wondering what tool you use for your lining because i cant get the hang of my line drawing. I use the brush tool free-hand, but obviously it looks wobbly. I like the paint stroke effect of lines but i can’t get them looking sharp and neat like on your pumpkin example above.
I have a hunch your going to say the pen tool ha, I really don’t get how to use it and how it works at all.
Would be grateful for a reply, thank you
Marc